DIALECTICAL JOURNALS
The term “Dialectic” means “the art or practice of arriving at the truth by using conversation involving question and answer.” Think of your dialectical journal as a series of conversations with the texts we read during this course. The process is meant to help you develop a better understanding of the texts we read. Use your journal to incorporate your personal responses to the texts. You will find that it is a useful way to process what you are reading, prepare yourself for group discussion, and gather textual evidence for your Literary Analysis assignments.
STEP ONE: PROCEDURE for CHOOSING PASSAGES FROM THE TEXT
STEP TWO: RESPONDING TO THE TEXT
You can respond to the text in a variety of ways. The most important thing to remember is that
your observations should be specific and detailed. As an “APer”, your journal should be made
up of 25% Basic Responses and 75% Higher Level Responses.
Basic Responses
Higher Level Responses
Sample Dialectical Journal entry: Life of Pi Author: Yann Martel
The following examples demonstrate the Higher Level Responses of the journal.
Attitude toward self, narrator “I am a person who believes in form, in the harmony of order…we must give things a meaningful shape…that’s one thing I hate about my nickname, the way that number runs on forever. It’s important in life to conclude things properly” (Martel 285).
Attitude toward life, existence “I have nothing to say of my working life, only that a tie is a noose, and inverted though it is, it will hang a man nonetheless if he’s not careful” (Martel 6).
Imagery to create Tone “A foul and pungent smell, an earthy mix of rust and excrement hung in the air. There was blood everywhere, coagulating to a deep red crust. A single fly buzzed about, sounding like an alarm bell of insanity” (Martel 127).
Diction, word choice to create tone “The ship sank. It made a sound like a monstrous metallic burp. Things bubbled at the surface and then vanished. Everything was screaming: the sea, the wind, my heart.” (Martel 97).
Theme “I wept heartily over this poor little deceased soul. It was the first sentient being I had ever killed. I was now a killer. I was now as guilty as Cain…I had blood on my hands. It’s a terrible burden to carry” (Martel 183). |
Pi’s obsession with “form” and “the harmony of order” explains why religion appeals so strongly to him. He finds great importance in concluding things “properly”. Pi is essentially asking what kind of life would we be leading if, when it was over, we simply died and remained dead to rot for eternity? Pi hopes and believes that there is more. He believes what he is told about afterlives and moral judgment because he is afraid of his life ending in a pointless and almost anticlimactic manner. Pi’s obsession with closure can also be found in the founders of almost any religion to have ever been preached throughout history.
Pi respects the importance of work, however finds much more value in the beauty of life itself. Pi believes that to ignore the offerings of life and to focus too much on work is detrimental to one’s health.
Martel paints a disturbing picture in his description of the lifeboat following the slow painful death of the zebra. He describes the air as smelling like “an earthy mix of rust and excrement”, the boat as having “blood everywhere”, and his only companion as “a single fly…sounding like an alarm bell of insanity”. Through this shockingly filthy and revolting portrayal of the lifeboat, Martel establishes a tone of absolute disgust.
When describing the sinking of the Tsimtsum, Martel utilizes a variety of strong and violent words to establish a tone of disorder and fear. Martel describes the sound of the ship sinking as a “monstrous metallic burp” simultaneously noting its enormity and its violent, industrial nature. He also says that “everything was screaming” suggesting disorder and confusion.
Another theme found in Life of Pi is the loss of innocence. Prior to his being stranded at sea, Pi is a god loving vegetarian who would never even consider eating the flesh of an animal. Once forced to end the life of another creature in the interest of prolonging his own, Pi is overcome by guilt. At this point, he has entered a phase of existence that, until his problem of being stranded is resolved, he is forced to endure, therefore making a transition from an innocent vegetarian to a hunter with “blood on my [Pi’s] hands”. |